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The Making of Fleeting Opera 2000
(continued)
by Max Couper
The central figure was the pregnant matriarch Angelica. She was the dominant figure of respect to whom everyone performed. Her fertility and ability to reproduce life was the source of her ability to attract the other performers to her. She had her own personal assistants that followed her everywhere; including a lady trumpet player, who complimented her own musical virtuosity, and her storyteller, the actress Judi Dench in her first operatic performance. For her I wrote a form of metred narrative.
Photo by David Graeme-Bater
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| The Stories unfolded fast faster than you can imagine made manifest by the East the West the South and North And it was the winds and currents and tides that brought them together and mixed them into the fragments of things that became known as the birthrights That were begotten of the mixtures and ingredients that were forgotten to the much-later-on who had them in their every last and Fleeting Gene Children who were born of the Ionic the Arabic the Cyclopic and the Romanic |
With memories of Aboard vessels |
The right to dance And there was peace That your lust Un-imposed |

Fleeting Opera, composition
sketch for Birthrite, by Max Couper.

Fleeting
Opera, sketch by Trevor Wishart.
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